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VIV 327 |
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Concerto I for Solo Organ
This delightful three-movement concerto fills the gap in early Classical repertoire for organists. Sirmen (1745-1818) was a multifaceted composer who studied in Venice with Giuseppe Tartini before touring Europe, first as a violinist, and then as an opera star. The tuneful final movement has the serene symmetry, delicate ornamentation, and delightful melodies that are as indigenous to Sirmen as they are to the Classical style.
VIV 327, 24 pages, $12.95
American Record Guide
Click here to view a page of the score.
A Brief Bio of the Arranger
Dr. Barbara Harbach, Professor of Music at the University of Missouri-St. Louis, has toured extensively as both concert organist and harpsichordist. She holds academic degrees from Pennsylvania State University (B.A.), Yale University (M.M.A.), Musikhochschule (Konzertdiplom) in Frankfurt, Germany, and the Eastman School of Music (D.M.A.). In 2002, Harbach received an honorary doctorate in music, honoris causa, from Wilmington College, Ohio for her lifetime achievement as a composer, performer, editor, and publisher.
Her lively performances and recordings have captured the imagination of many American composers, and the body of work written for and dedicated to Harbach is substantial. Musical America has called her "nothing short of brilliant" and Gramophone has cited her as an "acknowledged interpreter -- and, indeed, muse -- of modern harpsichord music."
She was host of the weekly television music series Palouse Performance seen throughout the Inland Northwest.
As a composer, Harbach has written symphonies, works for chamber ensemble, string orchestra, organ, harpsichord; musicals, choral anthems, film scores, modern ballets, and many arrangements for brass and organ of various Baroque works. She is also involved in the research, editing and publication of manuscripts of eighteenth-century keyboard composers as well as historical and contemporary women composers. Her work is available in both recorded and published form through Naxos Records, Gasparo Records, Kingdom Records, Albany Records, Northeastern Records, Hester Park, Robert King Music, Elkan-Vogel, Augsburg Publishing, Agape Music and Vivace Press. In addition, Harbach is the editor of Women of Note Quarterly.
Harbach initiated Women in the Arts-St. Louis, a celebration featuring over 800 events with various cultural organizations in the St. Louis region. This initiative heightened the awareness and understanding of the achievements of women creators while providing audiences with new and historical examples of the work of women writers, composers and artists.
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